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Moviethread II: The Watchening

 
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death parade
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PostPosted: Wed Jun 29, 2011 11:36 pm        Reply with quote

Transformers 3 review pending, I saw it so you don't have to (don't)
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death parade
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PostPosted: Thu Jun 30, 2011 11:27 pm        Reply with quote

So, Transformers: Dark Of The Moon.

I loved the first one. It was Ferris Buller Meets The Terminator with elements of love bug. It was dumb as a rock but in a very smart way, the robot designs were radical and innovative (albeit at the expense of clarity) and the action was satisfying. I laughed, I thrilled and at one point (Megatron being framed by a big fuck-off explosion) the film caught in the projector and incinerated itself. You simply cannot ask for greater immersion.

I left the cinema shooting edgeways glances at parked cars. I could imagine how each one would unfold. A perfect summer shitkicker, and I was excited for more.

And then, Revenge Of The Fallen. Every smart step the first film took (limited numbers of robots, clean plotting and a sense of awe and wonder) was replaced by racism, incoherence, bloodlust and racist lusty incoherence). Some of the action was quite nice, but the script was an abortion. It was the summer after the strike, so I had hopes the series could be redeemed.

Oooooh, boy.
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death parade
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PostPosted: Thu Jun 30, 2011 11:38 pm        Reply with quote

The film starts with a missed opportunity. Megatron spent the last film being rebuilt as a scary murder tank just so he could be the Russian prison bitch of a poorly understood antagonist-replacement. In the midst of this he lost large sections of his face and chest and got the fuck out of dodge while his boss was disemboweled.

Megatron starts the film in Africa. Half of his dome is still peeled back, and weird parasites/repair drones scuttle out of the wound. He's covering the missing half of his face with a tarp. His mighty fusion cannon is gone, replaced with a giant robo-shotgun. His new alt mode is a twisted reflection of Optimus Prime, a Road Warrior-style mac truck. He's shouting ALL HAIL MEGATRON! at elephants.

This is interesting! In Transformers he was an almost unstoppable foe, feared beyond all. Now he's a shadow of himself, a creepy obsessive who made himself more like his arch foe but fucked up. His mind is going, his weapon is an improvised downgrade and he looks wild west as fuck. What Transformers should be is the struggle between Optimus Prime and Megatron, played out through their proxies. What happens when Megatron is desperate and insane? What happens when he cross-dresses like the enemy? This is interesting territory no Transformers sub-canon has touched on and has the potential to be great, unhinged action sci-fi.

Until the closing battle absolutely fuck all is done with this. Instead there's another Fallen-type character: a previously unseen legend from the cheeto-incrusted depths of the Transformer metaverse, boring as shit and here to do what Megatron should be doing. HUGE FUCKING SPOILERS ABOUT TO HAPPEN
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death parade
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PostPosted: Fri Jul 01, 2011 12:19 am        Reply with quote

(James Remar voices a robot made out of swords)
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death parade
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PostPosted: Tue Jul 12, 2011 1:28 am        Reply with quote

Dracko wrote:
I also like that it took them three films for them to finally develop tactics for humans to take down mechanical giants.


They actually did this in the first film: they pretty quickly work out what munitions grievously wound Transformer exoskeletons, arm up and fight effectively. I really liked this part: it inverted the usual invincible invaders trope and gave a pretty good reason for them to lurk in disguise. During the final battle Megatron takes more damage from human forces than Optimus Prime (who is depicted as much weaker and less warlike).

In Revenge Of The Fallen and Dark Of The Moon this is forgotten and everyone runs around with assault rifles while Prime runs around murdering everyone, tearing off heads/faces and carrying out extrajudicial executions on wounded combatants.

Basically they replaced two cool, genre defying nuances with stupid bullshit
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death parade
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PostPosted: Mon Jul 18, 2011 12:18 am        Reply with quote

costel wrote:
CubaLibre wrote:
Nothing is sacred.


Apparently. And with that all comes to naught.


Anyways, in good news, I would highly recommend Takashi Miike's "13 Assassins" probably the classiest blood and thunder exploration I've seen since Peckinpah's Wild Bunch. It's style and absence of Miike peculiarities does nothing except embolden it's focus driven narrative, and in terms of a Chambara film it's mediation's on violence comes down to a singular statement at the end of the film that resonates deeply. It's a supreme film, a truthfully grandiose experience that can be so quiet, and so loud.

For those who are more well versed with samurai/Buddhist code and Japanese history, I would suppose that there is some existential criticisms of what was occurring at the time, represented by the two dueling Samurai in the film. A consistent theme of inquiry and deterioration becomes the actual duel itself between the two leaders. It's been done before, but never with so many actions mirroring and encapsulating their beliefs between the two.

It's not Seven Samurai, but fuck, it's up there.

Definitely the best film I've seen all year. If you guys can, catch the Japanese theatrical version instead of the international version, which is cut by twenty minutes.


My reaction to that film was "Holy shit! Samurai Contra!"

I liked it a lot.


Last edited by death parade on Mon Jul 18, 2011 12:30 am; edited 1 time in total
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death parade
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PostPosted: Tue Aug 16, 2011 5:41 pm        Reply with quote

I saw Super-8 last night.

It was actually really great! It's obviously indebted to the Goonies but they cast the childhood innocence against a much harder edge. Full marks.
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